No Quarter – May 5, 2017
Louisville’s Joan Shelley is known for her quiet, soothing music and beautiful, clear voice – Joan Shelley is elegantly all of these things, and a quietening listening experience throughout. The album begins with the quiet track, “We’d Be Home,” featuring a pair of guitars churning softly beneath Joan’s voice as she repeats “if you were made for me, we’d be home.” On “Where I’ll Find You,” the space is filled with shuffling, brushed percussion and a light organ – the song’s highlight is Joan’s vocal duet in the chorus. My favorite of the album is “Even Though,” a brief, simply-orchestrated song of plodding, finger-picked guitar and voice that manages a beautiful, melancholic fullness in its sound. Piano is added to the texture on “Pull Me Up One More Time,” with electric guitars crying softly in the background – Joan addresses her sister, “have I lingered too long, sister?” before reaching out for a hand, “pull me up one more time, for I have fallen.” The album ends with a droning, dissonant acoustic guitar on “Isn’t that Enough,” where piano doubles Joan’s voice several octaves below during the verses; her final lyrics of the album ask, “isn’t that enough, that you were meant to be free?”
The talent of the album’s remarkable collaborating musicians James Elkington, Nathan Salsburg, and Jeff and Spencer Tweedy is in their subtlety and restraint, adding only what is essential to the texture of these songs. Joan Shelley is an utterly appropriate title for its namesake’s fourth LP – despite the album’s superstar collaborators, Joan’s signature voice and songwriting are the driving, dominant force behind this music. I’d recommend this album with headphones, so you can catch every beautiful, nuanced note beneath the surface.
Tracks I Liked: We’d Be Home!!, Where I’ll Find You!, Even Though!!!, Pull Me Up One More Time!!, Wild Indifference!, Isn’t That Enough!
Ben Southworth – May 1, 2017 – Kenwick Place