Indie // Ambient Math Rock
Self Released – July 11, 2017
Lexington’s Jandergan released their new EP, Tilted Heads last week, and celebrated on Saturday with an album release show with ATTEMPT. Tilted Heads is the first new music from Jandergan in a couple years – it follows up another EP from 2014, Neighbor, as well as “Two is Glue,” a single from 2015.
“Waxwing” leads off the EP, and almost immediately, it’s noticeably more intense than much of what I’d head from them. The band’s five members nimbly maneuver through mathy sections, crashing them in to one another with ease – the latter half of the song sets up a great guitar duet that races faster and faster toward the end of the song. The EP’s title track is quick and disorienting, building through one dense section toward another, before suddenly settling into a dreamy, lengthy outro. “Good Mourning (for David)” is a touching meditation on a person’s final moments, and a great example of the band’s ability to play and compose beautifully. Despite slowing things down for this track, Jandergan maintains an intensity and tightness in their timekeeping, which only further adds to the haziness of things. Fading in from the previous song, “Anxious for a Change” mixes in synthesized bass and distantly distorted guitars to great effect as the band explores distrust and discontent of our society, singing “don’t ask what keeps everybody so … anxious for a change.” “Sleepless Decisions” brings the album to a close – after a wildly fast intro, it changes colors into something much dreamier, before carrying the EP with lots of momentum towards a great ending.
Tilted Heads is richly captured EP of complex songs – dense sections with many busy parts never get bogged down, and it’s great to be able to listen in on each individual’s part. The group is talented, pulling off complicated chord and rhythm changes with seeming ease, allowing the music to sound effortless. Those who’ve heard Jandergan before this will likely notice some changes to the sound here. They’ve expanded at either end of their dramatic range – sections of high intensity stretch even higher, and the more serene moments are more beautiful and further developed than ever before.
Tracks I Liked: Waxwing!!, Tilted Heads!, Good Mourning (for David)!!!, Sleepless Decisions!
Ben Southworth – July 16, 2017 – Post Road
Genre: Ambient Electronica/ Quasi-Trance
The label “ambient electronica” is a strange one – one that can really mean a lot of things. I guess, to me, it means the sort of music that is made with electronic components, but doesn’t necessarily make you want to dance. And though this EP didn’t have me on my feet, it definitely had my head bobbing along subconsciously. Chimarra’s first EP, Edge Effects, is a 23-minute collection, made up of glitchy drum beats, samples panned to either side of the head, a slew of different synth sounds, and the mellow tone of a euphonium. At first listen, the album is a lot what you’d expect from an ambient electronic artist – the drum beats, especially, remind me of the fizzy rhythms that made up much of Sufjan Steven’s Age of Adz. There are two major things, though, that give this music a different feeling than most other music in this genre: the feeling of a narrative and followable line of song development, and the euphonium. Taking a look at Chimarra’s Facebook page, he lists “the power and beauty of the natural world” as the inspiration for his music – when taking this into account, it makes it a little easier to understand the feeling of calm narration that much of the music has. The choice to include the sounds of a brass instrument – thrown in selectively on euphonium, rather than a sampled sound on a keyboard – is definitely interesting, and it gives the music some really nice dissonance and color. The album definitely rides the line into trance music – it’s pretty meditative and it conveys its ties to the tranquility of nature very well.
Tracks I Liked: Cave Patterns!!!, North of the Light!, Timestream!!
– Ben Southworth – Lexington, Kentucky – May 21, 2013