Harsh Industrial & Playful Electronic
auralgamiSOUNDS – February 3, 2017
ATOMO’s The Evaporated Life is an EP I find myself going back to fairly often – it’s great driving music, work music, or accompaniment-to-just-about-anything music. That release was described as relentlessly optimistic (a fitting description, I think).
Here, ATOMO is paired with another Louisville electronic musician, TonyRobot, whose music is stark contrast to the bubbly beats I had heard before. TonyRobot’s music is in your face, washed in pulsing, distorted synthesizers – even when the synths die down, the beat pounds on in the foreground. On “Doom Stick” the music seems to phase in and out of itself, disorienting the listener and making it difficult to find the top of a phrase. “Death Adder” is my favorite of TonyRobot’s three tracks on the EP – a plodding beat grows until it busts into an echoey wash of moody electronic sounds that would fit perfectly as film music.
ATOMO’s first of three tracks, “When I Met Her Dog,” starts with a palette cleansing chunk of pop organ with no beat before it leaps into a fast-paced, nearly silly tune set around pentatonic tones. ATOMO’s second track is the longest of the EP, a multi-part song called “Tangata Manu: Go Shave Your Head/Sharkbait/Vertigo.” The track is constantly morphing into the next section of the song, interjected with quick spurts of contrasting ideas – the final section is a spacey bit of music and features vocal notes from auralgamiSOUNDS label-mate, Cher Von.
YAWNKILLERS is a quick release with lots of good momentum – TonyRobot and ATOMO play great contrast to each other’s distinct brand of electronic music, and the EP is a fresh, energetic listen from the beginning to the end.
Tracks I Liked: Doom Stick!, Death Adder!!!, When I Met Her Dog!!!, Tangata Manu: Go Shave Your Head/Sharkbait/Vertigo!
Ben Southworth – High Street – March 12, 2017
Poppy Instrumental Electronica
October 2nd, 2015 – auralgami SOUNDS
The Evaporated Life is described on the one-sheet as “relentlessly optimistic,” and I doubt there’s much better a way to describe it. ATOMO is the project of a singular Louisvillian (whose name is omitted from all online materials I could find), and a seemingly new project at that. All the tracks on this album are lengthy enough for them to flesh themselves out pretty well – the shortest of them still spills over the 4:30 mark. Throughout these six works, it’s tough to place when the music is originating from, and I think that’s a good thing – there’s a refreshing mix of aged timbres (buzzing saw synths, sampled drums, and electronic organ) placed within more modern-and-constantly-evolving arrangements, none of which take themselves too seriously. This is definitely stuff you could dance to – perhaps not in the sense of Todd Terje’s driving disco displays (although track three gets close) – but it possesses the same lighthearted mood and nearly romantic atmosphere. I’m happy to see a Kentucky label putting out stuff with such diversity in sound – auralgamiSOUNDS has released garage rock, world-influenced jazz-electronica, improvised noise, and now this – all within the last twelve months, and they’ve all been quality. The Evaporated Life is fun, light, and decidedly enjoyable – I can’t imagine anybody finding it anything less than pleasant and refreshing.
Tracks I Liked: Mirrors!, Dr Waycroft’s upsidedown namepiece!!, its 2015 and i drive a computer!, Ice cream truck paranoid!!
Ben Southworth – October 3rd, 2015 – Mount Horeb