Hushed Contemporary Lullabies
Sofaburn Records – July 7, 2017
Daniel Martin Moore has been making music in Kentucky for a number of years – as a solo musician, and in collaborations with such well-known Kentuckians as Ben Sollee, Joan Shelley, and Jim James. I first heard him on the 2010 album, Dear Companion with Ben Sollee, which remains one of my favorite albums. Turned Over to Dreams finds Daniel on his own, where he has crafted a beautiful, soothing album of lullabies.
The title track quietly twinkles into focus before Daniel’s gentle voice joins – the remainder of the song is boosted by warm, quiet strings. “Consider the Worlds” is more simply orchestrated, finding Daniel’s voice the focus of the song. A brief, three-song set of instrumental lullabies is next – set with organ, shimmery electric guitar, and piano, respectively. “You Are Home” stands out to me the as my favorite of the album – the very first lyrics, “you are so much more to me than just a bright light, you’re home’ are gently boosted a low, droning organ as Daniel wonders how to best find the way to say ‘I love you.’
Those who know Daniel’s music and voice should find this album familiar and comforting – new listeners may find it a good way to discover his remaining, earlier work. From song to song, and as complete work, Turned Over to Dreams is a richly colored, serene, intimate lullaby.
Tracks I Liked: Turned Over to Dreams!!, Consider the Worlds!, Amid the Stars!, You Are Home!!!, Stay Awake!
Ben Southworth – August 6, 2017 – Post Road
Published 2012 – University Press of Kentucky
As the director of Kentucky music at WRFL for the last year or so, one of the most appropriate books that I’ve been given in a long time – Jason Howard’s A Few Honest Words – profiles over a dozen popular and current musicians from Kentucky. Spanning a wide variety of artists – from Jim James, Chris Knight, Joan Osborne, and Nappy Roots – the book takes a look at the lives of some of Kentucky’s most influential music makers of today, and offers a unique and personal account of (and from) each of them. Like myself, and to a much greater degree, Howard is a lover of the music being made in this state, having been involved in the music and art community for quite a while. Not only is his writing informed by his meticulous research of those profiled in the book, but by in-person experience with each of them – he weaves his knowledge and feelings about each musician with quotes from personal interviews. This mix of writing styles is further bolstered by his ever creative ways of transitioning between them, something I imagine isn’t easy to do. The ability to move through a chapter about Ben Sollee and Daniel Martin Moore – going from their conversation over a cup of tea, to a synopsis of their discography, to a description of a performance on WFPK’s show, “Live Lunch,” and back to the same conversation over tea – makes for read that is both informative and thought-provoking. It gives the musicians a personality, a history, a relatability, making them seem less like unapproachable superstar products of our state, and more like the rest of us – Kentuckians. As an homage to two of my favorite things – music and my home state – this book does very well at making me even more excited for what is to come from the musicians in this state. There is no shortage of stories to tell, and Kentuckians are famous for their ability to tell them – Howard’s wonderful ability to tell the stories of those storytellers makes this a very valuable read.
– Ben Southworth