On Friday, Lexington’s Idiot Glee announced that they’d be releasing their self-titled album on January 29th. Idiot Glee will be released through Hop Hop Records and is the first release since Four was released about a year and a half ago in 2014. Given the album notes uploaded on Bandcamp, and much like previous releases, this album looks to be made mostly of the sounds of its central musician, James Friley – though there will be some additional sounds on a few tracks from Case Mahan and Jamie Adkins, both members of the live band. The album art, which is pictured, was created by renown Lexington artist, Robert Beatty – who has done work for several of Idiot Glee’s previous releases. Stephen Trask, another Lexingtonian known for writing the music for Hedwig and the Angry Inch, helped produce the album – his presence is evident in the remarkable fullness and fidelity that is found on the single that was shared.
“Evergreen Psycho” is embedded below, and is a bit of a departure from the more dominant sounds on previous Idiot Glee albums, but it also feels like the natural progression. Gone are the old-school drum machines that made up Life Without Jazz and Paddywhack, as well as the lo-fi tape warble of Four. Instead, it’s replaced with spotless production, layers of keyboards, and nearly a psychedelic haze. If you’re an Idiot Glee fan, you’ve probably already heard it – if you haven’t, you should give it a play:
Ben Southworth – November 15th, 2015 – William T. Young Library
Genre: Dreamy Folk-Pop
When I started programming shows at WRFL – my first regular spot was a much-fought-over 3-6 AM slot on Saturday mornings – one of the records I found myself playing the most was Englishman’s self-titled LP. Early in 2013, knowing that he had an EP on the way, it’s safe to say that I’ve been waiting on Unsafe & Sound with a healthy dose of anticipation since the last time it was cold in Lexington. Finally in November, it was a sudden release, but I find myself more than happy to have waited until now.
Sonically, Unsafe & Sound is a bit of a departure from the band’s last release, but they’ve certainly departed in the correct direction. Although Englishman’s music has always had a bit of added texture from various found sounds and electronics, this album expands the flavor – songs like “More than Insects” and “Fiercest Warrior” are swimming in it. The lead off track, “Fill a Silo,” has a certain “Kentucky” feel to it, perhaps due to its opening lyrics: “Mountains and minerals take years to unravel, the people who love them don’t often travel. They don’t get flu shots, don’t have TVs, live by the weather and the honeybees” – it’s the best first track to an album I’ve heard in a long time.
All seven songs on this EP are solid tracks, making it pretty difficult to say which is the best – on my first listen through, I was at a loss on which to choose. The pacing, ordering, and substance of the album and each song it contains truly makes this one of the most solid collection of songs that has been released since I started paying attention to Lexington music a couple years ago. “At 25” and “We’re the Monsters” are both big-sounding songs that I could listen to on repeat, and (as mentioned before,) “Fill a Silo” is masterfully written. “We’re the Monsters,” though, is wonderfully strange and at the same time, it’s everything a pop song should be – between verses of stark dissonance, are chorus sections that ring with the voices of what sounds like a full choir. It’s my favorite at the moment, but the simple beauty of the tune that follows it – “Dear Life,” a track that features mostly Andrew English with additional instruments padded softly below – is perfectly placed as the album’s closer.
An album that explores the “feeling that the ways in which we participate in the human experience are changing too rapidly to process,” the album will leave you feeling the need to slow down. Perhaps it embodies a sense of intentionality, but certainly a sense of self-awareness in thinking and digesting the experiences that life offers. Though it bears the label of an “EP,” Unsafe & Sound is a work that contains more than enough substance to feel like a majorly strong release.
Tracks I Liked: Fill A Silo!!!, Kids and Bipolars!, More than Insects!!, Fiercest Warriors!, At 25!!, We’re the Monsters!!!, Dear Life!!
You can also hear the music live at Cosmic Charlie’s this Friday, November 22nd. Find out more here.
Ben Southworth – Tuesday, November 19th, 2013 – Maxwell & Hagermann